It also has a pair of chunky, sturdy handles that give you a solid grip. ![]() The extra-heavy-duty frame on this 47-inch reflector makes it rock solid when you’re holding it on a shoot. Best to get started: Neewar 43-inch 5-in-1 That black side can be handy from blocking lights from the camera to prevent flare or just keeping environmental light from creeping onto your subject in a controlled shoot. The white side acts as a neutral, subtle reflected light source, while the black side absorbs light and acts as what studio shooters call a flag. Lastly, there’s typically a white and black cover. The silver adds more neutral fill while the gold warms it up. Because the surfaces are shiny, they read like small light sources that create clearly defined shadows. The gold and silver sides provide a hard, lively light that’s very directional. It creates a much softer light than direct sunlight. You essentially use it the same way you’d use an umbrella if the sun was your light source. That semi-light-permeable panel acts as a simple diffuser when it doesn’t have a cover on it. That typically includes a pair of dual-sided covers, as well as an inner translucent panel. The average convertible reflector promises 5-in-1 surfaces. You’ll also want something that offers different colored covers. That’s big enough that you can bounce light from a good distance away, but it’s not so big that the wind will try to blow it across town with every gust. You want something mid-sized to start–think in the 40-inch range. If you’re not exactly sure what you’re looking for just yet, opt for something that gives you lots of flexibility. Here are some tips and suggestions to help you get the gear you need. You’ll need to consider what color surface you want, how big it should be, and even what shape will work best. You have a surprising number of options to consider when you go out reflector shopping. How to pick the best collapsible reflector Other companies specifically sell stands for their reflectors in case you want something that looks a little more formal. You can use a simple light stand with an A clamp to keep most reflectors securely in place. While many reflectors have solid handles or at least thick frames to hold onto, you can’t always be in the right place to shape light while you’re shooting. It can feel embarrassing when you’re struggling to get it crammed back into that tiny bag. I highly recommend a few folding and unfolding dry runs at your house once you get your reflector before you take it out into the wild on a shoot. It can take some practice to fold up the reflectors, especially when they get big enough that you have to stretch your arms out to grab both sides. A flexible metal frame around the outside of the material can bend in on itself in a specific way to create a much smaller footprint without getting much thicker. If you’ve ever used a pop-up tent, most collapsible reflectors work on the same basic idea. Carrying your own reflector, however, provides much more control. I’ve shot portraits of volunteers for a local food bank with some lighting help from a big, white truck parked on the site. I’ve shot portraits of bakers in the kitchen for which I used massive metal ovens as reflectors. Really anything can be a reflector when you’re out in the real world. Depending on the setting, they can provide everything from a simple fill to tone down harsh shadows, to a dramatic key light consisting of lively directional illumination. These flat discs serve to intercept light rays and send them back toward your subject. What to look for in the best collapsible reflectors Best to throw in your bag for emergencies: Emart 24-inch 5-in-1 reflector.Best for guiding lots of light: Selens 60” x 80” oval reflector. ![]() Best for high-end headshot work: Westcott Eyelighter.Best that can stand up to heavy work: Profoto 47-inch reflector.Best to get started: Neewar 43-inch 5-in-1. ![]() Whichever model you choose, these simple, affordable pieces of photography equipment will make a surprisingly big difference in your work once you get the hang of them. Some offer translucent panels for creating soft, diffuse light, while others offer deep black surfaces to block unwanted rays. The best collapsible reflectors will allow you to shape light without having to carry around complex gear that can break or run out of batteries, It’s one of the simplest, but most versatile tools you can have in your bag or around the studio.Īs the name suggests, these handy discs typically spend most of their time bouncing light onto a subject, they can do a lot more. Unfortunately, those rascally little waves/particles of illumination don’t always cooperate.
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